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From West Forks to World War I

Some family photographs preserve more than a face. They preserve a moment when an individual became part of a much larger national story. This formal portrait shows Sturgis Durgin of West Forks, Maine, in his World War I military uniform.

The photograph captures him as a young serviceman, carefully posed in uniform before a studio camera. More than a century later, it connects one member of the Durgin family with the generation of Mainers who served during the First World War.

For Durgin Hill, the portrait is especially significant because Sturgis would later appear again in the historical record during another period of national emergency.

A YOUNG MAN IN UNIFORM

The portrait is simple and formal.

Sturgis faces the camera directly against a dark studio background, with nearly all attention focused on his face and uniform.

  • his neatly arranged hair
  • the high military collar
  • the dark uniform coat
  • the formal studio pose
  • his direct, serious expression
  • the absence of decorative props or scenery

There is little in the photograph to distract from the subject.

For families during World War I, photographs like this could carry enormous importance.

A portrait might be made before a soldier departed, during training, while home on leave, or simply to preserve an image of him in uniform.

Whatever the precise occasion, someone considered this photograph important enough to keep.

WEST FORKS & THE FIRST WORLD WAR

When the United States entered World War I in April 1917, the effects reached communities large and small across Maine.

West Forks may have been surrounded by forests and miles from the country’s major population centers, but its families were not isolated from national events.

Men from rural Maine entered military service alongside men from cities, farms, fishing communities, mill towns, and logging regions throughout the state. Families at home followed news from Europe while waiting for letters and information from those who had gone into service.

Sturgis Durgin was part of that generation.

FROM THE MAINE WOODS TO MILITARY SERVICE

The world Sturgis came from was very different from the military world represented by this photograph.

  • the Dead River
  • the Kennebec River
  • logging and woods work
  • hunting and fishing
  • camps and homesteads
  • difficult transportation
  • small local businesses
  • close family and community relationships

For generations, young men from places like West Forks learned practical skills through work in the woods and around their homes.

Then war could suddenly carry them into an entirely different environment.

Military service introduced uniforms, regulations, training, unfamiliar places, and responsibilities far removed from the everyday rhythms of rural Maine.

The portrait captures that transition.

THE UNIFORM CHANGES THE STORY

Without knowing his identity, this might simply appear to be an early twentieth-century portrait of a young man.

Knowing that it is Sturgis Durgin in his World War I uniform gives the photograph a much deeper meaning. The uniform places him within a specific generation of Americans.

Millions of Americans entered military service during the conflict, while millions more supported the war effort at home.

For families, a uniform could represent pride, uncertainty, separation, and fear all at once.

A photograph like this became more than a portrait. It became something a family could hold onto.

A FORMAL MILITARY PORTRAIT

Studio portraits of servicemen became familiar family keepsakes during wartime. The uniform itself communicated something immediately. The person pictured was no longer represented only as a son, brother, husband, neighbor, or local worker.

He was also a serviceman.

The serious pose suited the importance of the occasion. Sturgis does not smile for the camera.

Instead, he holds a composed expression typical of many formal portraits from the period. The result is a photograph that feels both personal and official.

A GENERATION SHAPED BY WAR

World War I represented an enormous change for Americans who experienced it.

The conflict brought industrial warfare on a scale the world had never seen.

Machine guns, artillery, aircraft, submarines, poison gas, and mechanized transportation transformed warfare.

  • military enlistment and conscription
  • shortages and conservation campaigns
  • war bond drives
  • Red Cross activities
  • changing industries
  • letters sent overseas
  • casualty reports
  • returning veterans

Even after the fighting ended in November 1918, the experiences of military service returned home with the men who had served.

That meant the history of the war became part of local family history as well.

STURGIS DURGIN RETURNS TO WEST FORKS HISTORY

Sturgis’s connection to public service did not end with the World War I era.

More than two decades later, his name appeared on another important document.

On December 19, 1941, just twelve days after the attack on Pearl Harbor, Maine Governor Sumner Sewall appointed:

as

The appointment placed responsibility for local wartime preparedness in his hands during the opening days of America’s involvement in World War II.

That later appointment makes this earlier military portrait particularly meaningful.

FROM ONE WORLD WAR TO ANOTHER

Taken together, the two surviving pieces of history tell a remarkable story.

Sturgis Durgin served in military uniform.

He was entrusted with civilian defense responsibilities in West Forks.

The young serviceman pictured here would later become a man whom the governor of Maine described as worthy of:

in his ability, fidelity, and patriotism.

That creates a connection spanning two generations of wartime history.

MILITARY SERVICE IN A SMALL MAINE COMMUNITY

National histories often describe wars through presidents, generals, battles, and armies.

Local history asks another question:

In places like West Forks, military service affected communities where nearly everyone knew one another.

  • A young man leaving for service was not an anonymous statistic.
  • He was someone’s son.
  • Someone’s brother.
  • Someone’s neighbor.
  • Someone who had grown up along the same roads, rivers, and woods as everyone else.

When those men returned, their military experiences became part of the community’s history.

WHY PHOTOGRAPHS LIKE THIS MATTER

Military records can tell us dates, units, assignments, and places. A photograph gives us something different.

We can see Sturgis as his family saw him.

  • Young.
  • Carefully dressed.
  • In uniform.
  • Looking directly toward the camera.

The photograph removes some of the distance created by more than a century of time. He is no longer simply a name appearing in an old record.

He becomes a face.

PRESERVING WEST FORKS’ MILITARY HISTORY

Military history is also family history. Old portraits, discharge papers, letters, uniforms, medals, draft cards, newspaper clippings, and government appointments can each preserve a different part of a person’s story.

When those pieces remain together, they allow later generations to reconstruct something much more complete.

This portrait gives us one such piece.

And years later, a community leader called upon once again when another world war reached Maine.

FROM THE DURGIN HILL ARCHIVES

DurginHill.com preserves photographs, documents, family records, and local stories connected to Durgin Hill, West Forks, The Forks, the Dead River, the Kennebec River, and the generations who made their lives in the Maine woods.

This portrait preserves Sturgis Durgin at one important moment in that larger story.

A West Forks man in uniform. A World War I serviceman. And part of a generation whose history reached far beyond the Maine woods.